Since assembling in 2013, Alkaloid have known no bounds. Fresh from the minds who brought metalheads Obscura, Triptykon and Dark Fortress, the supergroup has rearranged the very composition of progressive death metal. Their three studio albums are widely acclaimed for synthesizing seemingly opposing forces. Worldly polyrhythms are bent to shape sci-fi storylines, only to morph into brutally catchy choruses. However, last summer, the quintet conducted a truly one-of-a-kind experiment, the kind that only a maestro an perform.
Today, Alkaloid are announcing their very first live album. Recorded live in the Netherlands during three special performances, “Bach Out of Bounds” brings the classical world in conversation with the heaviest of underground arts. Joined by an award-winning ensemble of vocalists, accordion and string players, the band present wildly re-imagined arrangements of three compositions from Johann Sebastian Bach, while also infusing the heart and soul of the classic composer into their own songs.
Along with fresh takes on fan favorites from “Numen” and “The Malkuth Grimoire”, “Bach Out of Bounds” introduces two new songs to Alkaloid’s cannon. “Haunter of the Void” looks deep into an unknown future, but its far-out tale is guided by the progressive metal maestro’s cosmically crushing virtuoso.
“We’re always open for an artistic challenge”, says Morean, Alkaloid’s vocalist and guitarist. When “Bach Out of Bounds”, came our way, we fully embraced the adventure to show yet another side of Alkaloid. We were lucky to be supported by guest artists who share our vision and passion for defying boundaries”.
“‘Haunter of the Void’ was especially commissioned for this show”, Morean continues. “The song translates Bach and 18th century polyphony into Alkaloid’s sonic universe by applying Baroque counterpoint composition techniques to our own scales and harmonies. This 10-minute epic links Bach and Alkaloid without diluting our identity one iota”.
Watch Alkaloid perform “Haunter of the Void” below.
“Bach Out of Bounds” is out on January 23rd, 2026, via Season of Mist.
Available Formats:
• CD Digipak
• 2×12″ Vinyl Gatefold
Pre-order & pre-save “Bach Out of Bounds” here.
Tracklist:
1. Allegro (BWV 1052-I) (8:28)
2. Adagio – All is Vanity (BWV 1052-II) (6:56)
3. Beneath the Sea (7:25)
4. Cthulhu (5:59)
5. Haunter of the Void (10:11)
6. A Fool’s Desire (8:54)
7. Agnus Dei (BWV 232) (6:24)
8. The Fungi from Yuggoth (7:47
Even though it was commissioned specially for this performance by the Dutch Performing Arts Fund (FPK), “Haunter of the Void” couldn’t have come from any other mind but Alkaloid’s. After all, the band has already charted a multi-part saga about a galactic civilization that reaches god-like levels. Their latest space odyssey follows a digitized brain into the void, where it must defy the impossible in order to protect what little hope remains for a long-dead Earth.
“Thrown to the darkness / To survive”, Morean and soprano Chrysa Tsaltampasi call out to each other as if drifting into a black hole.
“Haunter of the Void” truly expands Alkaloid’s universe. Applying Bach’s polyphonic composition techniques has deepened the band’s gravitational pull. Accordion, violin and cello streak like shooting stars beneath the meteoric riffs and laser-like solos of new guitarists Max Blok and Justin Hombach. With drums rumbling ahead at warped-speed, the song climbs to a head-banging crescendo that sent the crowd at Bachfestival home happy with their minds fully blown.
“The audience who came and saw these performances went crazy for it”, Morean remembers. “I’m so happy that we can now share them with people everywhere. People aren’t going to know what hit them. ‘Bach Out of Bounds’ is very different from what other metal bands – or even Alkaloid – normally do”.
The video for “Haunter of the Void” was filmed live at the 2024 Bachfestival in Dordrecht, Netherlands. It was created by Thomas Niehof / Creative Headroom & Lindy Balduk Photography.
Alkaloid know no bounds. Morean, Hannes Grossmann, Linus Klausenitzer and Christian Münzner had already defied the laws of the metalverse as members of Obscura, Triptykon and Dark Fortress, but since banding together as a supergroup in 2013, they have rearranged the very composition of progressive death metal. Their three studio albums fuse everything from worldly polyrhythms and sci-fi concepts to monstrous growls, brutally technical riffs and infectious choruses.
“German collective Alkaloid bucks the trend often associated with bands fitted with the ‘supergroup’ tag”, Angry Metal Guy wrote in praise of their last LP Numen. “Alkaloid established a unique sound from the onset, their cosmic, science fiction-infused technical and progressive death metal formula featuring a futuristic, otherworldly vibe and melodic, experimental flair”.
Despite their already impressive discography, during the summer of 2024, Alkaloid conducted a boundary-pushing performance that, once and for all, proved their alchemical mastery. With their new live album “Bach Out of Bounds”, the band build fascinating parallels between their unmatched compositions and revered composer Johann Sebastien Bach. Joined by an award-winning ensemble of vocalists, accordion and string players, the metal maestros prove that Bach’s music is as relevant today as it’s always been by projecting his Baroque style through a lens that’s radically different – and way heavier.
“Bach Out of Bounds” brings three of the composer’s classics in conversation with the underground arts. “I didn’t change any notes of Bach’s scores”, Morean says, “but I took maximum liberty in how I arranged them”. Sacred aria “Agnus Dei” is performed faithfully, graced by sopranos Rianne Wilbers and Chrysa Tsaltampasi. Of course, as metal’s mad scientists, Alkaloid inject plenty of their own virtuoso. The band’s new guitarists Max Blok and Justin Hombach shred harmoniously with violinists Julija Hartig and Oene van Geel through the monumental “Allegro”. Marieke Hopman’s mourning accordion lights the way during the slow and sorrowful procession of “Adagio – All Is Vanity”.
“The original ‘Adagio’ is super quiet and very slow. It’s a piece with just a few notes. What I did is the opposite of that”, Morean says with a pleased grin. “Our version turns it into a heavy doom metal song”.
In a feat of reverse engineering, “Bach Out of Bounds” also transfuses the soul of Bach into Alkaloid’s own creations. “The idea behind this performance wasn’t necessarily for us to try and write a Bach song”, Morean explains. “We wanted to use Bach’s techniques to write an Alkaloid song”. The album includes extended renditions of recent fan favorites in “A Fool’s Desire” and “The Fungi from Yuggoth”, not to mention two brand new songs. As if summoned by a siren’s call, “Beneath the Sea” reveals itself as a speaker-shaking precursor to the band’s monster hit “Cthulhu”. Whereas “Haunter of the Void” goes where no metalhead has gone before. Commissioned by the Dutch Performing Arts Fund (FPK)and written especially for this performance, the 10-minute epic follows a severed, digitized brain that’s been shot into space from a long-dead Earth. Amidst a crushing cosmic void, this spec of hope clings to life, creating a new habitat one riff at a time.
“Cell by cell starts to unfurl / And I come into my own”, Morean growls as their fresh tale swirls into a headbanging symphony.
Alkaloid performed “Bach Out of Bounds” during three separate shows in the Netherlands – at the Bachfestival in Dordrecht, Paard van Troject in The Hague and on November Music in Den Bosch. The performances drew people from around the world along with interest from Dutch national radio and TV. Now, fans everywhere can experience this truly one-of-a-kind performance on limited-edition CD and vinyl.
“The audience who came and saw these performances went crazy for it”, Morean remembers. “I’m so happy that we can now share them with people everywhere. People aren’t going to know what hit them. ‘Bach Out of Bounds’ is very different from what other metal bands – or even Alkaloid – normally do”.
With “Bach Out of Bounds”, Alkaloid deliver a classically innovative performance as only a true maestro can.
Line-up:
Morean — Vocals, Guitar
Hannes Grossmann — Drums
Linus Klausenitzer — Bass
Justin Hombach — Guitar
Max Blok — Guitar
Guest Musicians:
Rianne Wilbers — Soprano
Chrysa Tsaltampasi — Soprano
Julija Hartig — Violin
Oene van Geel — 5-String Violin
Marieke Hopman — Accordion
Ketevan Roinishvili — Cello
Recording Credits:
Recorded live in the Netherlands at Bibelot (Dordrecht) & Paard van Troje (The Hague)
Front of house engineer: Laurens Voois
Production Credits:
Produced by Alkaloid
Mixed by Hannes Grossman at Mordor Sounds, Germany
Mastered by Victor Bullok at Woodshed Studio, Germany
Songwriting Credits:
Music for “Allegro”, “Adagio – All is Vanity” and “Agnus Dei” written by Johann Sebastian Bach
Music for “Cthulhu” written by Morean and Hannes Grossman
Music for “Beneath the Sea” and “Haunter of the Void” written by Morean
Music for “A Fool’s Desire” written by Hannes Grossman
Music for “The Fungi from Yuggoth” written by Christian Münzner
Lyrics to “Adagio – All is Vanity” based on “Es ist alles eitel” by Andreas Gryphius and adapted by Morean
Lyrics to “Agnus Dei” taken from John 1:29
Lyrics to “Beneath the Sea”, “Cthulhu”, “Haunter of the Void”, “A Fool’s Desire” and “The Fungi from Yuggoth” written by Morean
